{"id":2315,"date":"2025-11-04T09:12:31","date_gmt":"2025-11-04T09:12:31","guid":{"rendered":"https:\/\/www.ccfbg.net\/?p=2315"},"modified":"2025-11-04T09:12:31","modified_gmt":"2025-11-04T09:12:31","slug":"espetaculo-de-teatro-nos-tempos-de-gungunhanasolo-de-klemente-tsamba-domingo-9-de-novembro","status":"publish","type":"post","link":"https:\/\/www.ccfbg.net\/index.php\/2025\/11\/04\/espetaculo-de-teatro-nos-tempos-de-gungunhanasolo-de-klemente-tsamba-domingo-9-de-novembro\/","title":{"rendered":"Espet\u00e1culo de Teatro \u2013 \u201cNos Tempos de Gungunhana\u201dSolo de Klemente Tsamba, Domingo, 9 de novembro"},"content":{"rendered":"\n

Espet\u00e1culo de Teatro \u2013 \u201cNos Tempos de Gungunhana\u201d<\/strong>
Solo de Klemente Tsamba<\/strong><\/p>\n\n\n\n

O Centro Cultural Franco-Bissau-Guineense, em parceria com o Grupo Cultural Netos de Bandim, tem o prazer de apresentar o espet\u00e1culo \u201cNos Tempos de Gungunhana\u201d<\/strong>, um solo teatral do multiartista mo\u00e7ambicano Klemente Tsamba<\/strong>. Esta iniciativa inscreve-se no compromisso partilhado de valorizar a mem\u00f3ria africana, promover a cria\u00e7\u00e3o art\u00edstica contempor\u00e2nea e aproximar o p\u00fablico guineense das grandes vozes do teatro da lusofonia.<\/p>\n\n\n\n

\n\n\n\n

\ud83d\udcc5 Informa\u00e7\u00f5es gerais<\/strong><\/h3>\n\n\n\n
    \n
  • Data:<\/strong> Domingo, 9 de novembro<\/li>\n\n\n\n
  • Hora:<\/strong> 19h00<\/li>\n\n\n\n
  • Local:<\/strong> Audit\u00f3rio do Centro Cultural Franco-Bissau-Guineense (CCFBG)<\/li>\n\n\n\n
  • Dura\u00e7\u00e3o:<\/strong> 65 minutos<\/li>\n\n\n\n
  • Entrada:<\/strong> 2.500 FCFA<\/li>\n\n\n\n
  • P\u00fablico:<\/strong> para todos os p\u00fablicos<\/strong><\/li>\n<\/ul>\n\n\n\n
    \n\n\n\n

    \ud83c\udfad Sobre o espet\u00e1culo<\/strong><\/h3>\n\n\n\n

    \u201cNos Tempos de Gungunhana\u201d inspira-se na tradi\u00e7\u00e3o oral africana e no poder da palavra. A narrativa acompanha Umbangana Namani<\/strong>, um guerreiro da tribo Tsonga amaldi\u00e7oado pelos esp\u00edritos a contar hist\u00f3rias de hero\u00edsmo durante nove meses, para garantir o nascimento com vida do seu filho.<\/p>\n\n\n\n

    Para cumprir esse destino, recorre \u00e0s mem\u00f3rias do imperador Gungunhana<\/strong>, figura influente do sul de Mo\u00e7ambique no s\u00e9culo XIX, revelando intrigas, ambi\u00e7\u00f5es e tens\u00f5es do poder.
    Mas, como o narrador lembra, esta n\u00e3o \u00e9 uma hist\u00f3ria sobre Gungunhana \u2014 \u00e9 sobretudo sobre a arte de contar: \u201cKaringana wa Karingana.\u201d<\/strong><\/p>\n\n\n\n

    O espet\u00e1culo combina teatro f\u00edsico, narra\u00e7\u00e3o, m\u00fasica, canto, dan\u00e7a e prov\u00e9rbios africanos<\/strong>, criando uma experi\u00eancia imersiva, po\u00e9tica e profundamente humana.<\/p>\n\n\n\n

    \n\n\n\n

    \ud83d\udc64 Sobre o artista<\/strong><\/h3>\n\n\n\n

    Klemente Tsamba<\/strong> nasceu na Malhangalene, em Maputo (Mo\u00e7ambique). Desde cedo ligado \u00e0s artes performativas, integrou projetos de dan\u00e7a, m\u00fasica tradicional e teatro comunit\u00e1rio. Em 2001, foi selecionado para a produ\u00e7\u00e3o portuguesa \u201cXT\u00d3RIAS\u201d<\/strong>, dirigida por Gisela Ca\u00f1amero, que marcou o in\u00edcio da sua carreira internacional.<\/p>\n\n\n\n

    \u00c9 criador de obras como \u201cMagia Negra\u201d<\/strong> (2007), \u201cNos Tempos de Gungunhana\u201d<\/strong> (2014) e \u201cDizcontos\u201d<\/strong> (2020), apresentadas em festivais de \u00c1frica, Europa e Am\u00e9rica do Sul. Para al\u00e9m de ator, \u00e9 m\u00fasico, artista pl\u00e1stico e diretor da Chamadarte \u2013 Associa\u00e7\u00e3o S\u00f3cio-Cultural<\/strong>, dedicada \u00e0 inclus\u00e3o social atrav\u00e9s das artes.<\/p>\n\n\n\n

    \n\n\n\n

    COMMUNIQU\u00c9 DE PRESSE<\/strong><\/h2>\n\n\n\n

    Spectacle de th\u00e9\u00e2tre \u2013 \u201cNos Tempos de Gungunhana\u201d<\/strong>
    Solo de Klemente Tsamba<\/strong><\/p>\n\n\n\n

    Le Centre Culturel Franco-Bissau-Guin\u00e9en, en partenariat avec le Groupe Culturel Netos de Bandim, a le plaisir de pr\u00e9senter le spectacle \u201cNos Tempos de Gungunhana\u201d<\/strong>, un solo th\u00e9\u00e2tral du multiartiste mozambicain Klemente Tsamba<\/strong>. Cet \u00e9v\u00e9nement s\u2019inscrit dans une volont\u00e9 commune de valoriser la m\u00e9moire africaine, de soutenir la cr\u00e9ation contemporaine et d\u2019offrir au public guin\u00e9en l\u2019acc\u00e8s \u00e0 des voix majeures du th\u00e9\u00e2tre lusophone.<\/p>\n\n\n\n

    \n\n\n\n

    \ud83d\udcc5 Informations g\u00e9n\u00e9rales<\/strong><\/h3>\n\n\n\n
      \n
    • Date :<\/strong> Dimanche 9 novembre<\/li>\n\n\n\n
    • Heure :<\/strong> 19h00<\/li>\n\n\n\n
    • Lieu :<\/strong> Auditorium du Centre Culturel Franco-Bissau-Guin\u00e9en (CCFBG)<\/li>\n\n\n\n
    • Dur\u00e9e :<\/strong> 65 minutes<\/li>\n\n\n\n
    • Entr\u00e9e :<\/strong> 2 500 FCFA<\/li>\n\n\n\n
    • Public :<\/strong> tout public<\/strong><\/li>\n<\/ul>\n\n\n\n
      \n\n\n\n

      \ud83c\udfad \u00c0 propos du spectacle<\/strong><\/h3>\n\n\n\n

      \u201cNos Tempos de Gungunhana\u201d s\u2019inspire de la tradition orale africaine. L\u2019histoire suit Umbangana Namani<\/strong>, un guerrier tsonga condamn\u00e9 par les esprits \u00e0 raconter des r\u00e9cits de bravoure pendant neuf mois afin de permettre \u00e0 son enfant de na\u00eetre vivant.<\/p>\n\n\n\n

      Pour accomplir cette mission, il convoque les histoires et l\u00e9gendes entourant l\u2019empereur Gungunhana<\/strong>, figure embl\u00e9matique du sud du Mozambique. Intrigues, pouvoir, guerre, m\u00e9moire et oralit\u00e9 s\u2019entrelacent dans un r\u00e9cit vibrant.
      Mais comme le rappelle le narrateur : ce n\u2019est pas une histoire sur Gungunhana \u2014 c\u2019est une histoire sur l\u2019art de raconter : \u201cKaringana wa Karingana.\u201d<\/strong><\/p>\n\n\n\n

      Le spectacle m\u00eale jeu d\u2019acteur, musique, chant, danse, parole, humour et po\u00e9sie<\/strong>, cr\u00e9ant une exp\u00e9rience immersive et sensible.<\/p>\n\n\n\n

      \n\n\n\n

      \ud83d\udc64 \u00c0 propos de l\u2019artiste<\/strong><\/h3>\n\n\n\n

      Klemente Tsamba<\/strong> est n\u00e9 \u00e0 Maputo (Mozambique), dans le quartier de Malhangalene. Artiste complet \u2014 com\u00e9dien, musicien et plasticien \u2014 il d\u00e9bute dans la danse, la musique traditionnelle et le th\u00e9\u00e2tre communautaire. Il se fait conna\u00eetre internationalement avec la cr\u00e9ation portugaise \u201cXT\u00d3RIAS\u201d<\/strong> (2001), mise en sc\u00e8ne par Gisela Ca\u00f1amero.<\/p>\n\n\n\n

      Il est l\u2019auteur et interpr\u00e8te d\u2019\u0153uvres telles que \u201cMagia Negra\u201d<\/strong>, \u201cNos Tempos de Gungunhana\u201d<\/strong> et \u201cDizcontos\u201d<\/strong>, pr\u00e9sent\u00e9es dans de nombreux festivals en Afrique, Europe et Am\u00e9rique du Sud. Il dirige \u00e9galement la Chamadarte \u2013 Associa\u00e7\u00e3o S\u00f3cio-Cultural<\/strong>, d\u00e9di\u00e9e \u00e0 l\u2019inclusion par les arts.<\/p>\n","protected":false},"excerpt":{"rendered":"

      Espet\u00e1culo de Teatro \u2013 \u201cNos Tempos de Gungunhana\u201dSolo de Klemente Tsamba O Centro Cultural Franco-Bissau-Guineense, em parceria com o Grupo Cultural Netos de Bandim, tem o prazer de apresentar o…<\/p>\n","protected":false},"author":1,"featured_media":2316,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/posts\/2315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/comments?post=2315"}],"version-history":[{"count":1,"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/posts\/2315\/revisions"}],"predecessor-version":[{"id":2317,"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/posts\/2315\/revisions\/2317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/media\/2316"}],"wp:attachment":[{"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/media?parent=2315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/categories?post=2315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ccfbg.net\/index.php\/wp-json\/wp\/v2\/tags?post=2315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}